October 23, 2010-Opening Night Gala
Mikko Nissinen
Artistic Director
Johnathan McPhee
Music Director and Principal Conductor
Misa Kuranaga and James Whiteside in Theme and Variations, choreography by George Balanchine-Photo by Gene Schiavone-from the Boston Ballet Blog.
It was a spectacular, sparkling evening of selections from the classical and contemporary ballet program in the forthcoming Boston Ballet's 2010-2011 Season. The audience showed their enthusiam and appreciation with thunderous and sustained applause!
The Program:
The Kingdom of Shades (Excerpt from La Bayadère, Act III)
Music: Ludwig Minkus
Choreography: Florence Clerc after Marius Petipa
Tarantella
Music: Louis Moreau Gottschalk
Choreography: George Balanchine
Layli O Majnun
Music: Arvo Pärt
Choreography: Helen Pickett
Le Corsiare (pas de deux)
Music: Adolphe Adam
Choreography: Vakhtang Chabukiani
Plan To B (Excerpt)
Music: Heinrich Ignaz Franz von Biber
Choreography: Jorma Elo
Scherzo à La Russe
Music: Igor Stravinsky
Choreography: George Balanchine
Li 3 (World Premiere: October 23, 2010, The Boston Opera House)
Music: Lucas Vidal
Choreography: Yury Yanowsky
Apollo (Excerpt)
Music: Igor Stravinsky
Choreography: George Balanchine
Don Quixote (pas de deux)
Music: Ludwig Minkus
Choreography: Marius Petipa
After The Rain (pas de deux)
Music: Arvo Pärt, Spiegel Im Spiegel
Choreography: Christopher Wheeldon
Guest Dancers:
Wendy Whelan, a principal dancer with the New York City Ballet
Damian Smith, a principal dancer with the San Francisco Ballet
Ms Whelan and Mr. Smith were gracious to perform on very short notice to replace the guest artists from the Paris Opera Ballet, who were unable to fly in from Paris because of the transportation strikes in France.
Theme and Variations (Excerpt)
Music: P.I. Tchaikovsky
Choreography: George Balanchine
Following the principal dancers Misa Kuranaga and James Whiteside's pas de deux, a grand polonaise builds to the climactic finale for the entire cast of 26 dancers.
For a review by Thea Singer from the Boston Globe click here:
For Keith Powers of the Boston Herald review click here:
In a review for The Harvard Crimson Alyssa A. Botelho writes, "..it was clear that 'Night of Stars' showcased Boston Ballet's versatility: the company's ability to embrace up-and-coming choreographers without forgetting its classical foundation." Click here:
Principal dancers enjoy the post-performance festivities at the Ritz Carlton
Members of the Corps de Ballet have fun at the post-performance party
Mary and Diana at the post-performance reception
Eleanor and Mary
Diana
Mary
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